BioKino Group:
Tanya Visosevic / Guy Ben-Ary (Australia)
/ Biography
THE LIVING SCREEN

The Living Screen explores the way the nature of spectatorship evolves and/or ruptures when viewers interconnect with movies projected on a screen that is alive. The screens are grown from different mammalian cells; microscopic movies are projected over these living screens, via a specialised projector (Bio-Projector). The projection is 500 microns in size and can be viewed by peering through a microscope located within the bio-projector. The screens are alive, react, transform and eventually die. They contort the projected micro-movie, confronting the spectator with issues such as virtuality, reality, life and death.

VIDEO DOCUMENTATION: The Living Screen (03:36), AU, in English, color, stereo, DVD, 2007
PHOTO CREDITS: BioKino Group: Tanja Visosevic and Guy Ben-Ary, The Living Screen, 2006. © 2006 Photos by Bruce Murphy, Guy Ben-Ary, Tanja Visosevic


NOARK
THE LIVING SCREEN
MOIST MEDIA ARCHIVES: 
LIVING VIRAL TATTOOS

HYMNEXT
THE HARLEQUIN'S COAT
IMMOLATION
The Tissue Culture & Art Project: Oron Catts / Ionat Zurr
BioKino Group: Tanya Visosevic / Guy Ben-Ary
 
Tagny Duff
Julia Reodica
Orlan
Critical Art Ensemble

CONTENTS

DVD-ROM 1
I. ARTIFICIAL BUT ACTUAL: Artificial Life
II. LIMITS OF MODELING: Evolutionary Design
III. SHINING PROSTHESES: Robotics

DVD-ROM 2
IV. BODY AS TECHNOLOGY: Techno-body Modification
V. MORE THAN A COPY, LESS THAN NOTHINGNESS: Bio and Genetic Engineering
VI. SEMI-LIVING: Tissue and Stem Cells Engineering
VII. POST SCRIPTUM: Re-Coding