Louis-Philippe Demers (Canada) / Biography
DEVOLUTION


In Devolution we are acknowledging the robots as machines and in doing so we are also exploring the mechanical, machine-like function of the human body and also the zoomorphic potential of bodies. By distorting the body away from an upright pedestrian orientation and challenging the Cartesian view of the body, we have been trying to posit humans as animals, which of course we are. Devolution works with the dancers on exploring choreographic relationships that respond to ecosystem processes: territoriality, parasitism, predation, symbiosis, senescence, birth, death and growth.

VIDEO DOCUMENTATION: Devolution (10:15), AU/SG, in English, color, stereo, DVD, 2007
PHOTO CREDITS: Louis-Philippe Demers, Garry Stewart and Australian Dance Theatre. Devolution, 2006. © Adelaide Bank 2006 Adelaide Festival of Arts


DEVOLUTION 
VOILES / SAILS 
TICKLE SALON 
SWARM PAINTINGS 
PACO: 
POETA AUTOMATICO CALLEJERO ONLINE
 
AUTOTELEMATIC SPIDER BOTS 
E-SPARKS 
Louis-Philippe Demers
Nicolas Reeves
Erwin Driessens / Maria Verstappen 
Leonel Moura 
 
Carlos Corpa / Ana Garcia-Serrano
Ken Rinaldo
Plancton Art Studio: Mauro Annunziato / Piero Pierucci 

CONTENTS

DVD-ROM 1
I. ARTIFICIAL BUT ACTUAL: Artificial Life
II. LIMITS OF MODELING: Evolutionary Design
III. SHINING PROSTHESES: Robotics

DVD-ROM 2
IV. BODY AS TECHNOLOGY: Techno-body Modification
V. MORE THAN A COPY, LESS THAN NOTHINGNESS: Bio and Genetic Engineering
VI. SEMI-LIVING: Tissue and Stem Cells Engineering
VII. POST SCRIPTUM: Re-Coding